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  • Open a larger version of the following image in a popup: Abraham Cruzvillegas, Long time postponed blind self portrait, munching a bite of the thick part of the chicharrón after dipping it in a morita chili pepper sauce, and drinking a Cayaco beer directly from the bottle, listening to 'Boogie Oogie Oogie', by A Taste of Honey, reading 'Sun Sisters: a field guide to Levant flowers' by Talitha Fanous, looking for a moment of concentration to try to foresee strategies for working in a consistent manner, in terms of the international chaos, so to arrive to something subtle, delicate, sweet, smooth and easy, without pamphlet or propaganda, 2025
    Open a larger version of the following image in a popup: Abraham Cruzvillegas, Long time postponed blind self portrait, munching a bite of the thick part of the chicharrón after dipping it in a morita chili pepper sauce, and drinking a Cayaco beer directly from the bottle, listening to 'Boogie Oogie Oogie', by A Taste of Honey, reading 'Sun Sisters: a field guide to Levant flowers' by Talitha Fanous, looking for a moment of concentration to try to foresee strategies for working in a consistent manner, in terms of the international chaos, so to arrive to something subtle, delicate, sweet, smooth and easy, without pamphlet or propaganda, 2025

    Abraham Cruzvillegas

    Long time postponed blind self portrait, munching a bite of the thick part of the chicharrón after dipping it in a morita chili pepper sauce, and drinking a Cayaco beer directly from the bottle, listening to 'Boogie Oogie Oogie', by A Taste of Honey, read, 2025
    Pink and green acrylic paint on newspaper clippings, cardboard, photographs, drawings, postcards, envelopes, tickets, vouchers, letters, drawings, posters, flyers, cards, recipes, napkins and steel pins on wall. (installation of 76 pieces)
    variable dimension : 80 x 110 cm / 31 1/2 x 43 1/4 in
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    %3Cdiv%20class%3D%22artist%22%3EAbraham%20Cruzvillegas%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ELong%20time%20postponed%20blind%20self%20portrait%2C%20munching%20a%20bite%20of%20the%20thick%20part%20of%20the%20chicharr%C3%B3n%20after%20dipping%20it%20in%20a%20morita%20chili%20pepper%20sauce%2C%20and%20drinking%20a%20Cayaco%20beer%20directly%20from%20the%20bottle%2C%20listening%20to%20%27Boogie%20Oogie%20Oogie%27%2C%20by%20A%20Taste%20of%20Honey%2C%20read%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2025%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EPink%20and%20green%20acrylic%20paint%20on%20newspaper%20clippings%2C%20cardboard%2C%20photographs%2C%20drawings%2C%20postcards%2C%20envelopes%2C%20tickets%2C%20vouchers%2C%20letters%2C%20drawings%2C%20posters%2C%20flyers%2C%20cards%2C%20recipes%2C%20napkins%20and%20steel%20pins%20on%20wall.%20%28installation%20of%2076%20pieces%29%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3Evariable%20dimension%20%3A%2080%20x%20110%20cm%20/%2031%201/2%20x%2043%201/4%20in%3C/div%3E

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    • (View a larger image of thumbnail 1 ) Abraham Cruzvillegas, Long time postponed blind self portrait, munching a bite of the thick part of the chicharrón after dipping...
    • (View a larger image of thumbnail 2 ) Abraham Cruzvillegas, Long time postponed blind self portrait, munching a bite of the thick part of the chicharrón after dipping...
    The work is part of a series that I call ‘Blind self-portrait’, that I make collecting all kind of papers from everyday life, like napkins, envelopes, images and articles from...
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    The work is part of a series that I call ‘Blind self-portrait’, that I make collecting all kind of papers from

    everyday life, like napkins, envelopes, images and articles from newspapers and magazines, receipts,

    bus, subway, train, tram and plane tickets, post-its, business cards, drawings, letters, postcards,

    vouchers, invoices, recipes, etc. It is a group of pieces of painted paper that describes my everyday

    activity. Obviously, I like the idea of transforming information into objects, first. Then using paint as a

    solution that appeals to possible ‘meanings’ constructed by viewers. Modular arrangement is important

    in terms of ‘representing’ chaotic patterns of growing, as in non-planned urban landscapes and cities.

    These grids are to be read as accumulative and random organizations. It is a sort of a super honest

    diary in which viewers have to ‘believe’ the accumulation of experience behind.

    A.C

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Galerie Thomas Schulte GmbH
Charlottenstrasse 24
10117 Berlin, Germany

 

Phone: 0049 (0)30 20 60 89 90

Fax: 0049 (0)30 20 60 89 91 0 

Mail@galeriethomasschulte.com

 

Opening Hours:

Tuesday - Saturday

12pm - 6pm

Galerie Thomas Schulte Potsdamer Strasse
Potsdamer Strasse 81B, 2nd floor
10785 Berlin, Germany

 

Phone: 0049 (0)30 20 62 75 50

Mail@galeriethomasschulte.com

 

Opening Hours:

Tuesday - Saturday

11am - 6pm

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