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关于
Abraham Cruzvillegas (born in Mexico City in 1968) is an artist whose wider ranging oeuvre includes sculptures, paintings, drawings, installations, and videos. Cruzvillegas himself has adopted the term autoconstrucctión to describe his own artistic practice. Autoconstrucctión is a term used to describe the process of people improvising self-constructed homes built from found and recycled materials. In 2019, he was pedagogical curator of the 14th Media Arts Biennial Chile in Santiago de Chile (2019). In 2012, he was awarded the 5th Yanghyun Prize in Korea and the Prix Altadis d’arts plastiques, France–Spain in 2006. He was artist in residence of the DAAD Artist Residency program in Berlin (2010), the CCA Wattis Institute for Contemporary Arts in San Francisco (2009), the Cove Park Artist Residency of Scotland (2008), the Smithsonian Institution in Washington D.C. (2008), the Civitella Ranieri Foundation in Umbria in Italy (2007), and at Atelier Calder in Saché in France (2005). He participated in many important international exhibitions including Honolulu Biennial (2019), Sydney Biennial (2018), Havana Biennial (2009; 2015), dOCUMENTA (13), Kassel, (2012), 9th Shanghai Biennale (2012), 12th International Istanbul Biennial (2011), 6th Seoul International Media Art Biennale (2010), and the 54th Venice Biennale (2003). His work is included in the public collections of The Jewish Museum in New York, MoMA, the Walker Art Center, the de Young Museum and the Kadist Foundation in San Francisco, MOCA, the Museum of Contemporary Art Chicago, Thyssen-Bornemisza Art Contemporary Collection, the Tate, Kunsthaus Zürich, the Museum of Modern Art, Warsaw, Centre Pompidou, Centre national des arts plastiques, Paris, MUAC, Museo Jumex, and Museo Tamayo Arte Contemporáneo in Mexico City.
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作品
Abraham Cruzvillegas
An exhausted but happy blind self portrait reading 'A life', a Piet Mondrian biography by Hans Janssen, while listening to 'Feeling Good' by the enormous Nina Simone, having a little strawberry KitKat bar and having the fourth espresso of the morning, try, 2024Blue acrylic paint on newspaper clippings, cardboard, photographs, drawings, postcards, envelopes, tickets, vouchers, letters, drawings, posters, flyers, cards, recipes, napkins and steel pins on wallVariable dimensions (installation of 85 pieces)
Installed Approx.: 160 x 200 cmThe work is part of a series that I call ‘Blind self-portrait’, that I make collecting all kind of papers from everyday life, like napkins, envelopes, images and articles from...The work is part of a series that I call ‘Blind self-portrait’, that I make collecting all kind of papers from
everyday life, like napkins, envelopes, images and articles from newspapers and magazines, receipts,
bus, subway, train, tram and plane tickets, post-its, business cards, drawings, letters, postcards,
vouchers, invoices, recipes, etc. It is a group of pieces of painted paper that describes my everyday
activity. Obviously, I like the idea of transforming information into objects, first. Then using paint as a
solution that appeals to possible ‘meanings’ constructed by viewers. Modular arrangement is important
in terms of ‘representing’ chaotic patterns of growing, as in non-planned urban landscapes and cities.
These grids are to be read as accumulative and random organizations. It is a sort of a super honest
diary in which viewers have to ‘believe’ the accumulation of experience behind.
A.C
Selected worksInquire about works by Abraham Cruzvillegas画廊展览-
Abraham Cruzvillegas
Splitogetherness: another groove 2025年6月28日 TO 8月30日 CHARLOTTENSTRASSEOpening on Friday, 27 June 2025, at 7 PM Performance by Abra...查看展览 -
UNBETITELTES TAUTOLOGISCHES SELBSTPORTRAIT
ABRAHAM CRUZVILLEGAS 2021年9月15日 TO 11月13日 CHARLOTTENSTRASSEGalerie Thomas Schulte is very pleased that Abraham Cruzvill...查看展览
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