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Abraham Cruzvillegas

Abraham Cruzvillegas

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    View works. Abraham Cruzvillegas, Untitled trans techno colloidal symphony with endangered self portrait , 2025
    Untitled trans techno colloidal symphony with endangered self portrait , 2025
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    Abraham Cruzvillegas (born in Mexico City in 1968) is an artist whose wider ranging oeuvre includes sculptures, paintings, drawings, installations, and videos. Cruzvillegas himself has adopted the term autoconstrucctión to describe his own artistic practice. Autoconstrucctión is a term used to describe the process of people improvising self-constructed homes built from found and recycled materials. In 2019, he was pedagogical curator of the 14th Media Arts Biennial Chile in Santiago de Chile (2019). In 2012, he was awarded the 5th Yanghyun Prize in Korea and the Prix Altadis d’arts plastiques, France–Spain in 2006. He was artist in residence of the DAAD Artist Residency program in Berlin (2010), the CCA Wattis Institute for Contemporary Arts in San Francisco (2009), the Cove Park Artist Residency of Scotland (2008), the Smithsonian Institution in Washington D.C. (2008), the Civitella Ranieri Foundation in Umbria in Italy (2007), and at Atelier Calder in Saché in France (2005). He participated in many important international exhibitions including Honolulu Biennial (2019), Sydney Biennial (2018), Havana Biennial (2009; 2015), dOCUMENTA (13), Kassel, (2012), 9th Shanghai Biennale (2012), 12th International Istanbul Biennial (2011), 6th Seoul International Media Art Biennale (2010), and the 54th Venice Biennale (2003). His work is included in the public collections of The Jewish Museum in New York, MoMA, the Walker Art Center, the de Young Museum and the Kadist Foundation in San Francisco, MOCA, the Museum of Contemporary Art Chicago, Thyssen-Bornemisza Art Contemporary Collection, the Tate, Kunsthaus Zürich, the Museum of Modern Art, Warsaw, Centre Pompidou, Centre national des arts plastiques, Paris, MUAC, Museo Jumex, and Museo Tamayo Arte Contemporáneo in Mexico City.

     

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  • Selected works
    • Abraham Cruzvillegas Unbetiteltes Tautologisches Selbstportrait, 2021 acrylic wall paint (34 colors) cardboard boxes
      Abraham Cruzvillegas
      Unbetiteltes Tautologisches Selbstportrait, 2021
      acrylic wall paint (34 colors) cardboard boxes
    • Abraham Cruzvillegas Splitogetherness (Tlaltecuhtli), 2025 Wood, steel, iron, aluminum, rubber, plastic, copper, glass, nylon, twine, acrylic paint on wood, leather, cotton, bamboo, wool, cardboard, paper, concrete, ceramics, sisal, gourd, tin and jute 300 x 221 x 97 cm 118 1/8 x 87 x 38 1/4 in
      Abraham Cruzvillegas
      Splitogetherness (Tlaltecuhtli), 2025
      Wood, steel, iron, aluminum, rubber, plastic, copper, glass, nylon, twine, acrylic paint on wood, leather, cotton, bamboo, wool, cardboard, paper, concrete, ceramics, sisal, gourd, tin and jute
      300 x 221 x 97 cm
      118 1/8 x 87 x 38 1/4 in
    • Abraham Cruzvillegas Splitogetherness (Tiamat), 2025 Wood, steel, iron, aluminum, rubber, plastic, copper, glass, nylon, twine, acrylic paint on wood, leather, cotton, bamboo, wool, cardboard, paper, concrete, ceramics, sisal, gourd, tin and jute 300 x 221 x 86 cm 118 1/8 x 87 x 33 7/8 in
      Abraham Cruzvillegas
      Splitogetherness (Tiamat), 2025
      Wood, steel, iron, aluminum, rubber, plastic, copper, glass, nylon, twine, acrylic paint on wood, leather, cotton, bamboo, wool, cardboard, paper, concrete, ceramics, sisal, gourd, tin and jute
      300 x 221 x 86 cm
      118 1/8 x 87 x 33 7/8 in
    • Abraham Cruzvillegas Pending monozygotic sculpture, laughing at its own fate and stories, listening to ‘Genius of love’, with Tom Tom Club, sipping a large Augustiner from tap, after devouring an indecently monumental ganze hinterhaxe vom Schweineschinken, and speculating abo, 2025 Acrylic on cardboard and paper, iron and copper 265 x 200 x 240 cm 104 3/8 x 78 3/4 x 94 1/2 in
      Abraham Cruzvillegas
      Pending monozygotic sculpture, laughing at its own fate and stories, listening to ‘Genius of love’, with Tom Tom Club, sipping a large Augustiner from tap, after devouring an indecently monumental ganze hinterhaxe vom Schweineschinken, and speculating abo, 2025
      Acrylic on cardboard and paper, iron and copper
      265 x 200 x 240 cm
      104 3/8 x 78 3/4 x 94 1/2 in
    • Abraham Cruzvillegas Intentionally good humored blind self portrait, sipping a little flute of pet-nat from Catalunya, chewing a piece of crunchy quesadilla after soaking it in a chipotle chili pepper sauce, listening to the 'Nocturnes Op. 9: in B-Flat Minor', by Frédéric Cho, 2025 Green acrylic paint on newspaper clippings, cardboard, photographs, drawings, postcards, envelopes, tickets, vouchers, letters, drawings, posters, flyers, cards, recipes, napkins and steel pins on wall. (installation of 125 pieces) 90 x 120 cm 35 3/8 x 47 1/4 in
      Abraham Cruzvillegas
      Intentionally good humored blind self portrait, sipping a little flute of pet-nat from Catalunya, chewing a piece of crunchy quesadilla after soaking it in a chipotle chili pepper sauce, listening to the 'Nocturnes Op. 9: in B-Flat Minor', by Frédéric Cho, 2025
      Green acrylic paint on newspaper clippings, cardboard, photographs, drawings, postcards, envelopes, tickets, vouchers, letters, drawings, posters, flyers, cards, recipes, napkins and steel pins on wall.
      (installation of 125 pieces)
      90 x 120 cm
      35 3/8 x 47 1/4 in
    • Abraham Cruzvillegas Untitled simultaneous, hybridized, synchronous, precarious and unstable map (Lao Tzu), 2025 Acrylic and ink on canvas, stainless steel 290 x 180 cm 114 1/8 x 70 7/8 in
      Abraham Cruzvillegas
      Untitled simultaneous, hybridized, synchronous, precarious and unstable map (Lao Tzu), 2025
      Acrylic and ink on canvas, stainless steel
      290 x 180 cm
      114 1/8 x 70 7/8 in
    • Abraham Cruzvillegas Untitled simultaneous, hybridized, synchronous, precarious and unstable constellation (Chuang Tzu), 2025 Acrylic and ink on canvas, stainless steel 290 x 180 cm 114 1/8 x 70 7/8 in
      Abraham Cruzvillegas
      Untitled simultaneous, hybridized, synchronous, precarious and unstable constellation (Chuang Tzu), 2025
      Acrylic and ink on canvas, stainless steel
      290 x 180 cm
      114 1/8 x 70 7/8 in
    • Abraham Cruzvillegas Improvised paths (Wilmersdorf), 2025 Ink and graphite on amate (Ficus insipida) paper and maguey (Agave salmiana) thorns 120 x 120 cm 47 1/4 x 47 1/4 in
      Abraham Cruzvillegas
      Improvised paths (Wilmersdorf), 2025
      Ink and graphite on amate (Ficus insipida) paper and maguey (Agave salmiana) thorns
      120 x 120 cm
      47 1/4 x 47 1/4 in
    • Abraham Cruzvillegas Improvised paths (1968), 2025 Ink and graphite on amate (Ficus insipida) paper and maguey (Agave salmiana) thorns 120 x 120 cm 47 1/4 x 47 1/4 in
      Abraham Cruzvillegas
      Improvised paths (1968), 2025
      Ink and graphite on amate (Ficus insipida) paper and maguey (Agave salmiana) thorns
      120 x 120 cm
      47 1/4 x 47 1/4 in
    • Abraham Cruzvillegas An exhausted but happy blind self portrait reading 'A life', a Piet Mondrian biography by Hans Janssen, while listening to 'Feeling Good' by the enormous Nina Simone, having a little strawberry KitKat bar and having the fourth espresso of the morning, try, 2024 Blue acrylic paint on newspaper clippings, cardboard, photographs, drawings, postcards, envelopes, tickets, vouchers, letters, drawings, posters, flyers, cards, recipes, napkins and steel pins on wall Variable dimensions (installation of 85 pieces) Installed Approx.: 160 x 200 cm
      Abraham Cruzvillegas
      An exhausted but happy blind self portrait reading 'A life', a Piet Mondrian biography by Hans Janssen, while listening to 'Feeling Good' by the enormous Nina Simone, having a little strawberry KitKat bar and having the fourth espresso of the morning, try, 2024
      Blue acrylic paint on newspaper clippings, cardboard, photographs, drawings, postcards, envelopes, tickets, vouchers, letters, drawings, posters, flyers, cards, recipes, napkins and steel pins on wall
      Variable dimensions (installation of 85 pieces)
      Installed Approx.: 160 x 200 cm
    • Abraham Cruzvillegas Más rutas 5, 2024 Oil on paper Paper size: 49.6 x 40 cm | 19 1/2 x 15 3/4 in Framed dimension: 60 x 50 cm | 23 5/8 x 19 3/4 in
      Abraham Cruzvillegas
      Más rutas 5, 2024
      Oil on paper
      Paper size:
      49.6 x 40 cm | 19 1/2 x 15 3/4 in
      Framed dimension:
      60 x 50 cm | 23 5/8 x 19 3/4 in
    • Abraham Cruzvillegas Untitled trans techno colloidal cumbia groove with endangered self portrait, 2025 Acrylic and ink on canvas, stainless steel 290 x 180 cm 114 1/8 x 70 7/8 in
      Abraham Cruzvillegas
      Untitled trans techno colloidal cumbia groove with endangered self portrait, 2025
      Acrylic and ink on canvas, stainless steel
      290 x 180 cm
      114 1/8 x 70 7/8 in
    • Abraham Cruzvillegas Untitled trans techno colloidal dub groove with endangered self portrait , 2025 Acrylic and ink on canvas, stainless steel 290 x 180 cm 114 1/8 x 70 7/8 in
      Abraham Cruzvillegas
      Untitled trans techno colloidal dub groove with endangered self portrait , 2025
      Acrylic and ink on canvas, stainless steel
      290 x 180 cm
      114 1/8 x 70 7/8 in
    • Abraham Cruzvillegas Splitogetherness: Another Groove 12, 2025 Acrylic and ink on paper 47.5 x 32.3 cm 18 3/4 x 12 3/4 in
      Abraham Cruzvillegas
      Splitogetherness: Another Groove 12, 2025
      Acrylic and ink on paper
      47.5 x 32.3 cm
      18 3/4 x 12 3/4 in
    • Abraham Cruzvillegas Splitogetherness: Another Groove 13, 2025 Acrylic and ink on paper 47.5 x 33.4 cm 18 3/4 x 13 1/8 in
      Abraham Cruzvillegas
      Splitogetherness: Another Groove 13, 2025
      Acrylic and ink on paper
      47.5 x 33.4 cm
      18 3/4 x 13 1/8 in
    • Abraham Cruzvillegas Autorretrato oponible actual 57, 2024 Aniline pigment, graphite on paper Paper size: 41.5 x 29.5 cm | 16 3/8 x 11 5/8 in Framed dimensions: 52 x 39.7 cm | 20 1/2 x 15 5/8 in
      Abraham Cruzvillegas
      Autorretrato oponible actual 57, 2024
      Aniline pigment, graphite on paper
      Paper size:
      41.5 x 29.5 cm | 16 3/8 x 11 5/8 in
      Framed dimensions:
      52 x 39.7 cm | 20 1/2 x 15 5/8 in
    • Abraham Cruzvillegas Autorretrato oponible actual 58, 2024 Aniline pigment, graphite on paper Paper size: 41.5 x 29.5 cm | 16 3/8 x 11 5/8 in Framed dimensions: 52 x 39.7 cm | 20 1/2 x 15 5/8 in
      Abraham Cruzvillegas
      Autorretrato oponible actual 58, 2024
      Aniline pigment, graphite on paper
      Paper size:
      41.5 x 29.5 cm | 16 3/8 x 11 5/8 in
      Framed dimensions:
      52 x 39.7 cm | 20 1/2 x 15 5/8 in
    • Abraham Cruzvillegas Autorretrato oponible actual 60, 2024 Aniline pigment, ink on paper Paper size: 76.4 x 55.6 cm | 30 1/8 x 21 7/8 in Framed dimensions: 87 x 66.5 cm | 34 1/4 x 26 1/8 in
      Abraham Cruzvillegas
      Autorretrato oponible actual 60, 2024
      Aniline pigment, ink on paper
      Paper size:
      76.4 x 55.6 cm | 30 1/8 x 21 7/8 in
      Framed dimensions:
      87 x 66.5 cm | 34 1/4 x 26 1/8 in
  • Inquire about works by Abraham Cruzvillegas
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  • 画廊展览
    • Splitogetherness: another groove

      Splitogetherness: another groove

      Abraham Cruzvillegas 2025年6月28日 TO 8月30日 CHARLOTTENSTRASSE
      Galerie Thomas Schulte presents Splitogetherness: another gr...
      查看展览
    • UNBETITELTES TAUTOLOGISCHES SELBSTPORTRAIT

      UNBETITELTES TAUTOLOGISCHES SELBSTPORTRAIT

      ABRAHAM CRUZVILLEGAS 2021年9月15日 TO 11月13日 CHARLOTTENSTRASSE
      Galerie Thomas Schulte is very pleased that Abraham Cruzvill...
      查看展览
  • 艺术家新闻
    • Abraham Cruzvillegas / Art Basel Qatar, Doha

      Abraham Cruzvillegas / Art Basel Qatar, Doha

      2026年2月5日
      Abraham Cruzvillegas takes part in Art Basel Qatar’s Special Projects. He is one of the artist...
      阅读更多
    • Abraham Cruzvillegas / Thinking Like a Mountain - The Orobie Biennial, Fondazione Dalmine, Bergamo, Italy

      Abraham Cruzvillegas / Thinking Like a Mountain - The Orobie Biennial, Fondazione Dalmine, Bergamo, Italy

      Site Specific installation 4 October 2025 to 18 January 2026
      In October, the fifth and final cycle of Thinking Like a Mountain - The Orobie Biennial will open: p...
      阅读更多
    • Abraham Cruzvillegas / Untitled Groove

      Abraham Cruzvillegas / Untitled Groove

      Performance 27 June 2025, 8.30 PM
      On occasion of the opening of his exhibition Splitogetherness: another groove, Abraham Cruzvillegas ...
      阅读更多
    • Announcing Representation of Abraham Cruzvillegas

      Announcing Representation of Abraham Cruzvillegas

      2024年12月2日
      Galerie Thomas Schulte is delighted to announce its representation of Abraham Cruzvillegas (b. 1968,...
      阅读更多
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