• About

    Abraham Cruzvillegas (born in Mexico City in 1968) is an artist whose wider ranging oeuvre includes sculptures, paintings, drawings, installations, and videos. Cruzvillegas himself has adopted the term autoconstrucctión to describe his own artistic practice. Autoconstrucctión is a term used to describe the process of people improvising self-constructed homes built from found and recycled materials. In 2019, he was pedagogical curator of the 14th Media Arts Biennial Chile in Santiago de Chile (2019). In 2012, he was awarded the 5th Yanghyun Prize in Korea and the Prix Altadis d’arts plastiques, France–Spain in 2006. He was artist in residence of the DAAD Artist Residency program in Berlin (2010), the CCA Wattis Institute for Contemporary Arts in San Francisco (2009), the Cove Park Artist Residency of Scotland (2008), the Smithsonian Institution in Washington D.C. (2008), the Civitella Ranieri Foundation in Umbria in Italy (2007), and at Atelier Calder in Saché in France (2005). He participated in many important international exhibitions including Honolulu Biennial (2019), Sydney Biennial (2018), Havana Biennial (2009; 2015), dOCUMENTA (13), Kassel, (2012), 9th Shanghai Biennale (2012), 12th International Istanbul Biennial (2011), 6th Seoul International Media Art Biennale (2010), and the 54th Venice Biennale (2003). His work is included in the public collections of The Jewish Museum in New York, MoMA, the Walker Art Center, the de Young Museum and the Kadist Foundation in San Francisco, MOCA, the Museum of Contemporary Art Chicago, Thyssen-Bornemisza Art Contemporary Collection, the Tate, Kunsthaus Zürich, the Museum of Modern Art, Warsaw, Centre Pompidou, Centre national des arts plastiques, Paris, MUAC, Museo Jumex, and Museo Tamayo Arte Contemporáneo in Mexico City.

     

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  • Works
    • Abraham Cruzvillegas, Splitogetherness (Tlaltecuhtli), 2025
      Abraham Cruzvillegas
      Splitogetherness (Tlaltecuhtli), 2025
      Wood, steel, iron, aluminum, rubber, plastic, copper, glass, nylon, twine, acrylic paint on wood, leather, cotton, bamboo, wool, cardboard, paper, concrete, ceramics, sisal, gourd, tin and jute
      300 x 221 x 97 cm
      118 1/8 x 87 x 38 1/4 in
    • Abraham Cruzvillegas, Splitogetherness (Tiamat), 2025
      Abraham Cruzvillegas
      Splitogetherness (Tiamat), 2025
      Wood, steel, iron, aluminum, rubber, plastic, copper, glass, nylon, twine, acrylic paint on wood, leather, cotton, bamboo, wool, cardboard, paper, concrete, ceramics, sisal, gourd, tin and jute
      300 x 221 x 86 cm
      118 1/8 x 87 x 33 7/8 in
    • Abraham Cruzvillegas, Pending monozygotic sculpture, laughing at its own fate and stories, listening to ‘Genius of love’, with Tom Tom Club, sipping a large Augustiner from tap, after devouring an indecently monumental ganze hinterhaxe vom Schweineschinken, and speculating abo, 2025
      Abraham Cruzvillegas
      Pending monozygotic sculpture, laughing at its own fate and stories, listening to ‘Genius of love’, with Tom Tom Club, sipping a large Augustiner from tap, after devouring an indecently monumental ganze hinterhaxe vom Schweineschinken, and speculating abo, 2025
      Acrylic on cardboard and paper, iron and copper
      265 x 200 x 240 cm
      104 3/8 x 78 3/4 x 94 1/2 in
    • Abraham Cruzvillegas, An exhausted but happy blind self portrait reading 'A life', a Piet Mondrian biography by Hans Janssen, while listening to 'Feeling Good' by the enormous Nina Simone, having a little strawberry KitKat bar and having the fourth espresso of the morning, try, 2024
      Abraham Cruzvillegas
      An exhausted but happy blind self portrait reading 'A life', a Piet Mondrian biography by Hans Janssen, while listening to 'Feeling Good' by the enormous Nina Simone, having a little strawberry KitKat bar and having the fourth espresso of the morning, try, 2024
      Blue acrylic paint on newspaper clippings, cardboard, photographs, drawings, postcards, envelopes, tickets, vouchers, letters, drawings, posters, flyers, cards, recipes, napkins and steel pins on wall
      Variable dimensions (installation of 85 pieces)
      Installed Approx.: 160 x 200 cm
    • Abraham Cruzvillegas, Improvised paths (11 éme arrondissement), 2025
      Abraham Cruzvillegas
      Improvised paths (11 éme arrondissement), 2025
      Ink and graphite on amate (Ficus insipida) paper and maguey (Agave salmiana) thorns
      120 x 120 cm
      47 1/4 x 47 1/4 in
    • Abraham Cruzvillegas, Improvised paths (Canal de Chalco), 2025
      Abraham Cruzvillegas
      Improvised paths (Canal de Chalco), 2025
      Ink and graphite on amate (Ficus insipida) paper and maguey (Agave salmiana) thorns
      120 x 120 cm
      47 1/4 x 47 1/4 in
    • Abraham Cruzvillegas, Untitled simultaneous, hybridized, synchronous, precarious and unstable shortcut (Sun Tzu), 2025
      Abraham Cruzvillegas
      Untitled simultaneous, hybridized, synchronous, precarious and unstable shortcut (Sun Tzu), 2025
      Acrylic and ink on canvas, stainless steel
      290 x 180 cm
      114 1/8 x 70 7/8 in
    • Abraham Cruzvillegas, Untitled simultaneous, hybridized, synchronous, precarious and unstable constellation (Chuang Tzu), 2025
      Abraham Cruzvillegas
      Untitled simultaneous, hybridized, synchronous, precarious and unstable constellation (Chuang Tzu), 2025
      Acrylic and ink on canvas, stainless steel
      290 x 180 cm
      114 1/8 x 70 7/8 in
    • Abraham Cruzvillegas, Untitled trans techno colloidal cumbia groove with endangered self portrait, 2025
      Abraham Cruzvillegas
      Untitled trans techno colloidal cumbia groove with endangered self portrait, 2025
      Acrylic and ink on canvas, stainless steel
      290 x 180 cm
      114 1/8 x 70 7/8 in
    • Abraham Cruzvillegas, Untitled trans techno colloidal dub groove with endangered self portrait , 2025
      Abraham Cruzvillegas
      Untitled trans techno colloidal dub groove with endangered self portrait , 2025
      Acrylic and ink on canvas, stainless steel
      290 x 180 cm
      114 1/8 x 70 7/8 in
    • Abraham Cruzvillegas, Untitled trans techno colloidal symphony with endangered self portrait , 2025
      Abraham Cruzvillegas
      Untitled trans techno colloidal symphony with endangered self portrait , 2025
      acrylic and ink on canvas, stainless steel
      290 x 180 cm
      114 1/8 x 70 7/8 in
    • Abraham Cruzvillegas, Autorretrato oponible actual 60, 2024
      Abraham Cruzvillegas
      Autorretrato oponible actual 60, 2024
      Aniline pigment, ink on paper
      Paper size:
      76.4 x 55.6 cm | 30 1/8 x 21 7/8 in
      Framed dimensions:
      87 x 66.5 cm | 34 1/4 x 26 1/8 in
    • Abraham Cruzvillegas, Autorretrato oponible actual 58, 2024
      Abraham Cruzvillegas
      Autorretrato oponible actual 58, 2024
      Aniline pigment, graphite on paper
      Paper size:
      41.5 x 29.5 cm | 16 3/8 x 11 5/8 in
      Framed dimensions:
      52 x 39.7 cm | 20 1/2 x 15 5/8 in
    • Abraham Cruzvillegas, Más rutas 5, 2024
      Abraham Cruzvillegas
      Más rutas 5, 2024
      Oil on paper
      Paper size:
      49.6 x 40 cm | 19 1/2 x 15 3/4 in
      Framed dimension:
      60 x 50 cm | 23 5/8 x 19 3/4 in
    • Abraham Cruzvillegas, Autorretrato oponible actual 57, 2024
      Abraham Cruzvillegas
      Autorretrato oponible actual 57, 2024
      Aniline pigment, graphite on paper
      Paper size:
      41.5 x 29.5 cm | 16 3/8 x 11 5/8 in
      Framed dimensions:
      52 x 39.7 cm | 20 1/2 x 15 5/8 in
  • Selected works
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